I could be talking about the apocalypse, here. Or I could be talking about what seems to be Spring, if the weather would decide what the heck it's doing. Or I could be talking about Thursday. Or I could even be talking about clothing.
I am, however, not talking about ANY of these things (though, now that I comes up, I do hope that clothing is upon all of us). I am talking about Loki Appreciation Month.
*insert yelling and cheering and crying and screaming and shocking and crazy and probbably typoes (did you see what I did, there?)*
If, at this point, you're confused, then I denounce, renounce, pronounce, and declare you generally unacceptable for this particularly blog post. Loki Appreciation Month is not for the faint of heart. Nor, for that matter, the easily confused, which was kind of the point of this paragraph.
Oh, well.
My real point in all of this, though, is that IT'S LOKI APPRECIATION MONTH! IT'S TIME TO APPRECIATE (Loki, specifically, but you're allowed to appreciate other things as well)!!!!!
Now. Though I have yet to do anything incredible for this particular L.A.M., I've been thinking Loki thoughts, and re-reading Loki things I've written, and deciding to read "The Eight Days of Luke" and then chickening out before I make it to the bookshelf. But I plan on doing much more, and while you're all thinking your own Loki thoughts, here's my latest endeavor for you.
(Um. Also not for the faint of heart (or easily confused). I flexed my artistic muscles, here, and I don't actually have any of those, so it went about as well as a rapid pigeon trying to play the harpsichord. Be warned.)
Whoo! Good times. So while that's haunting your dreams and generally destroying all your faith in humanity, remember to think green thoughts, frost your giants, manage your mischief, and, if you happen to come across something brilliantly Loki-esque, feel free to share. :)
Draconscribe
And thus she rambled
Thursday, February 5, 2015
Sunday, February 23, 2014
Date Night
Um. Sometimes I get a little weird. And just a little too bored.
So, one day after I got my Lego Loki figure, I followed Loki and Shaak Ti on a date. Because everyone knows that they're dating, right?
Anyhow. Since it's February, and therefore the month of both Loki Appreciation and Valentine's Day, here's some photo evidence.
And there we have it. A brief, photo celebration of love and Loki. Together, even. (Never thought that would happen, huh?)
So, one day after I got my Lego Loki figure, I followed Loki and Shaak Ti on a date. Because everyone knows that they're dating, right?
Anyhow. Since it's February, and therefore the month of both Loki Appreciation and Valentine's Day, here's some photo evidence.
That special moment as the date starts when he gives her a flower.
Their romantic candlelit dinner.
Another angle on that.
Ah, young (old?) love. Look at them just holding hands and staring into each other's eyes!
Saturday, February 22, 2014
It's THAT time
Um, February? Loki Appreciation Month? Does this ring bells? Because I've been wearing green and walking around with my Loki necklace, and I have a picture of Loki in my wallet (...yeah, okay, that's a little weird), and I have a Loki keychain hanging on the wall in the bedroom.
Yeah. I'm serious about this stuff.
I have yet to write anything brilliant and Loki-themed this month, sadly. But I do have some previous stuff, and while it's not refined or anything, I figure that I'll share a bit, because it is Loki Appreciation Month. So here we go.
(I know where this is going. And I'm not telling you where it's going, because I am VERY serious about this story, and I'd kind of like it to be a little bit of a surprise. And this is not edited, or gerund-checked, or anything, really, I just wrote it, and I'm keeping it as it is until I find the time to devote, like, a year of my life to the story and perfect it and then get the tar published out of it. Yup. So here's the first section of an untitled story involving my favorite Norse God of Mischief.)
Yeah. I'm serious about this stuff.
I have yet to write anything brilliant and Loki-themed this month, sadly. But I do have some previous stuff, and while it's not refined or anything, I figure that I'll share a bit, because it is Loki Appreciation Month. So here we go.
(I know where this is going. And I'm not telling you where it's going, because I am VERY serious about this story, and I'd kind of like it to be a little bit of a surprise. And this is not edited, or gerund-checked, or anything, really, I just wrote it, and I'm keeping it as it is until I find the time to devote, like, a year of my life to the story and perfect it and then get the tar published out of it. Yup. So here's the first section of an untitled story involving my favorite Norse God of Mischief.)
When Athena wakes up, Loki
is so close to her that she could touch him.
She doesn’t. Partially because of the blood that paints
half his face scarlet and turns his already pale skin even paler. Partially
because of the blood that will always stain his hands after the crimes he has
committed. Mostly because one of her arms is pinned underneath her body, and,
from the feel of it, the other is a little bit broken.
With utmost care, Athena maneuvers herself into an
upright position, mindful of her broken arm. She takes a breath and immediately
coughs it back out because her lungs are full of who knows what. As she regains
her breath, Athena assess the total damages and comes up with a concussion, a
broken arm, a rolled ankle, an assortment of various cuts and what are sure to
be spectacular bruises, at least three broken ribs and two more that are
fractured, and a gash that has cut lengthways through her right eyebrow. None
of the injuries are important enough to require immediate care, so she turns
her attention to her location. Only, that doesn’t work, because all she can see
is a mess of badly piled debris.
Since it’s the logical next step, she then turns to Loki.
He doesn’t look well. Though he’s carefully arranged in
Lotus position, heels on his thighs and back straight, his hands shake against
his calves and his closed eyes jump beneath his eyelids. She can’t see him
breathing, and his flame-colored hair is plastered to his head and face with a
mixture of sweat and blood.
Athena is unnerved. She’s never had the opportunity to
look at him with his eyes closed, and, honestly, she could have done without
it. Without his eyes open, he looks boyish and innocent and human. He doesn’t look like he belongs
in the vicious world of the gods.
Disoriented and concussed as she is, Athena apparently
doesn’t have the usual perfect control of her mouth, because she hears herself
say, “You look terrible. What happened to you?”
The response is delivered so casually that for a moment,
Athena completely loses track of where she is.
“Oh, I had a building dropped on me.”
Then Loki opens his eyes, and Athena completely loses
track of everything.
“Cronos,” she
spits out, and Loki offers her a meaningless smile in return. Athena barely
notices, though, because Loki’s irises have somehow shattered. Vibrant green
has begun to push into what should be the whites of his eyes, and it looks as
if emerald strands have replaced the veins in his eyeballs.
Athena has never seen anything like that. She has absolutely
no idea what it means. From the look of it, she assumes that it’s bad.
She must look shaken, because Loki raises one hand to rub
at his eyes as he says, “There’s no need to be so shocked, Goddess. I’ve chosen
to wage a war against the most powerful beings alive.” He drops his hand back
to his leg and blinks a couple times. “It’s ludicrous to assume that I’ll
always come away unharmed.” Almost as an afterthought, he adds, “And sometimes
buildings just fall on people.”
“That’s not what I-“ Athena begins, then realizes that
there’s a tiny smile on Loki’s lips, which presumably means that he’s teasing
her. So she stops talking. Then, because this is too surreal and she doesn’t
know what else to do, she looks around again.
Now that Loki has mentioned it, it’s obvious that the
rubble around them has come from a building. Athena can see the remains of a
wall, wires and plaster and pipes, and the glass that litters the ground must
be from shattered windows. What looks like a smashed desk is wedged between a
section of crumbling brick, and, strangely, there’s a perfectly pristine pen
not three feet from Athena’s knee.
She’s tempted to laugh, but she doesn’t think you’re
supposed to do that when an enemy is sitting so close to you.
And then all temptation to laugh is gone, because her
mind sharpens enough to tell her that the structure of the makeshift cave
they’re in isn’t just badly piled. It’s all wrong, because none of the wreckage
is positioned stably enough to hold anything at all, which means that they
should be crushed, and since they aren’t, that means—
Startled, her gaze flies back to Loki, to the blood all
over his face, to his closed eyes and strained features. At first glance, she’d
assumed the blood came from the split near his hairline. And while that’s been
a great contributor, she can now see the thin trails of blood that stem from
his nose and left ear. Even as she watches, another thread of blood begins to
crawl from his right ear.
Before she can stop herself, Athena reaches toward him
with an exclamation of, “In the name of Gaia, what do you think you’re doing?”
With frightening speed, Loki snatches her hand out of the
air. “Don’t touch me!’ he spits out with what Athena thinks is misplaced venom,
eyes still closed tightly. “You’ll break my focus, and then we’ll both die.”
“You’ve already burst blood vessels in your brain,” she
snaps back, “And I’m too disoriented to be able to use what little power
remains with me.” Loki opens his eyes to slits, not so much to glare at her as
to fix her with a total lack of emotion. Athena ignores him to continue, “If
you insist on killing yourself this way, then your focus won’t matter, because
we’ll both be crushed.”
He closes his eyes, then opens them again, and a chill
spiderwebs its way across Athena’s back. She can actually see the green
spreading further from Loki’s irises, and while she has no basis of comparison,
Athena is positive it’s not a good sign.
“Look,” she says in an attempt to be as diplomatic as the
situation allows, “I’ve no idea if you’re suicidal or masochistic or something,
but I would personally rather not die.”
His eyelids mercifully shutter his beyond-unnerving eyes
once more, and he asks, voice a treacherous mix of saccharine and acidic, “Pray
tell—what do you suggest?”
In an instant, Athena’s architect eyes have broken the
enclosed space into mathematical figures and angles and weight plus mass and
perfect balance.
“Move things just enough that the rubble with support
itself,” Athena says, and Loki’s eyes fly open and fix on her. She points to a
section of cement, a mostly intact wall, and other barely-recognizable parts of
the building. “If you shift those just enough, then the weight will settle in a
way that should allow us to survive without further brain damage.”
Loki’s eyes follow the motions of Athena’s hands with a
fixation that concerns her. But it’s clear that he can see exactly what she’s
talking about, because he murmurs, “Norns. Why didn’t I see that?”
There’s such self-directed disgust in his voice that
Athena can’t help but respond, “I’m sure it would have been obvious it you’d
been any more lucid.”
Loki doesn’t bother with a reply. He only breathes out
deeply and straightens impossibly further. He doesn’t close his eyes, but they
tighten at the corners. The sluggish flow of blood from his nose and ears
increases enough to make Athena doubt that he can do this, but he just locks
his eyes on the first piece of rubble and it begins to slide into place.
Barely half of the necessary shifts have been made before
Loki suddenly spasms and the entire structure begins to cave in on them.
Athena is positive that they’re both dead, but then Loki
lets out a sound like a dying animal and forces the invading metal, rock,
cement, and glass away through sheer force of will.
For the first time, Athena begins to realize why Loki is
still alive when he’s fighting a war he can’t possibly win. And then she
understands that in this moment, that doesn’t matter, because Loki is a breath
away from hyperventilation, and though his features are still carefully
organized, his eyes scream panic.
“I can’t do this,” he manages, and his voice sounds
strangled, like he’s speaking through a gag. His eyes have begun to bleed red,
and he’s blinking too rapidly to follow. “There’s not enough of me left to do
this.”
Athena sees an instant solution, and it’s not exactly
preferable. “By Helios and Oceanus and Father Zeus,” she curses as she crawls to his side through the wreckage.
He won’t look at her, and keeps on shaking his head as he mutters something in
a Runic language so old that not even she knows what he’s saying.
“This can still work,” she says firmly, and then he’s
startled, because he didn’t realize she was so close to him. “We’re just going
to have to share a much tighter space than I anticipated.”
Abruptly, Loki laughs. An honest, carefree laugh that
absolutely terrifies Athena. No one
should be able to go from panic to amusement so quickly.
“It’s like a second-rate romance film!” Loki exclaims,
offering Athena a lopsided grin that, combined with the blood painted on his
face, makes him look grotesquely comical. “Does this mean we’re going to have a
bonding moment and you’re going to kiss me?” he inquires cheerily. “Because
that would definitely improve this whole maudlin business of dying.”
Athena is practically on top of him now, but she ignores
that, as well as his question. “I need you to make three more changes,” she
says. “Can you do that?”
Just like that, he’s back to lost and listless, and his
response, as he stares sightlessly upward, is, “Not like I have a choice.”
Unwilling to risk him moving the wrong pieces of debris,
Athena carefully points out what needs to be shifted and exactly where, and
Loki follows her wordless orders automatically. His veins visibly pulse under
the blood that covers him, and a steady stream of monotone curses spill out of
his mouth. But despite that, a twisted mess of metal and plaster is
telekinetically pushed into place, followed by what looks like a section of
road. By the time he reaches the mangled door in its equally mangled doorframe
that is the last piece of wreckage to be moved, each breath is a gasp, and his
eyelids are stretched so far that it looks as if they’re trying to retreat into
his head. Unable to help, Athena just sits in silence as the door grinds
through the rubble with excruciating slowness and finally wedges itself into
place.
Loki releases everything, and wreckage rains down on
them. Athena is seldom wrong, though, and while every bit of unnecessary space
is buried in instants, the painful arrangement holds. The only problem is Loki,
who simply collapses the moment he no longer has to focus. There’s little
enough room that if he pitches forward, the falling debris will remove his head
from his shoulders, and while that would be an easy solution to myriad issues
Loki has caused for the gods, Athena doesn’t think it’s fair to let him die
that way.
With yet another curse, Athena grabs her enemy with her
one good arm and pulls. Unable to resist, Loki falls against her, and for just
a moment, they’re both silent.
That one moment is all she needs to discover that she has
never hated anything more than the feel of Loki in her arms.
His breath is still coming in gasps, and he’s shaking.
His hands clench and unclench against her arm, but it’s weak enough that she
barely feels it. A stream of almost inaudible words spill out of him, the
cadence reminiscent of a prayer. That’s ridiculous, though. Gods don’t pray,
because there’s no one to hear them. But it still unnerves her, because in this
moment, he is too fragile and childlike and close to innocent, and she knows that he’s anything but that.
Her arm throbs, and dust coats her lungs, and she’s
dangerously close to feeling empathy for the thing in her arms, so Athena says
the first thing that pops into her head.
“You’re a murderer.”
Then she mentally buries her face in her hands, because
while she may be the goddess of battle strategy, sometimes she absolutely fails
at safe conversation.
She’s not sure what she expects as a response, but she
definitely doesn’t expect Loki to calmly riposte, “You have gorgeous eyes.”
Honestly, Athena has no idea what to do with that. So she
opts for just looking at him like he’s crazy, because that is not the type of thing you say to your
enemy when you’re trapped under a building with them. The effect is lost on
him, of course, because his face is buried in her shoulder, and he’s not actually
capable of moving. Still, her silence is apparently enough to convey her
disbelief.
“What?” Loki says, not quite defensive, but close enough.
“I couldn’t figure out if we were stating the obvious, complementing each
other, insulting each other, threatening ourselves through a comment about the
other person, or just filling the silence. So I thought I would go with a
blanket response.”
There’s a lot she could say to that. She has no idea how
much of it is appropriate in the current setting. So she asks, “How would
referring to my eyes as gorgeous be an insult?”
“Zeus has blue eyes,” he tells her, “Which means that
your eyes come from your mother. But Hera also has blue eyes, and you seem the
type to be offended by children born from illegitimate affairs. Therefore,” he
continues, drawing both his hands back to his sides, “It would be insulting to
complement your eyes, because it could be construed as a reference to your
illegitimacy.”
Athena has never thought about that. Unfortunately, it’s
absolutely true, and she barely resists pushing Loki off her, because now every
time her eyes are mentioned, that’s all she’ll be thinking.
She decides that it would be better to not say anything
else. Except that she can’t help but ask, “How would your comment about my eyes
be a threat to you?”
He doesn’t instantly respond. And when he does, his voice
is too light to possibly be real.
“I’ve a weakness for gorgeous eyes,” is all he says, and
Athena gets the impression that this is in no way a safe line of questioning.
“Why are you talking?” she demands. “I can still see
blood coming out of your ears.”
Instead of replying that he was talking because she’d
asked him a question, Loki practically yells, “Because it’s what I do! I talk,
because I’m unable to do anything else right!” Then he curls into himself with
a gasp of pain and chokes out, “Norns,”
and there is going to be so much of his blood on Athena.
Athena has never had to deal with a deity as bipolar as
Loki apparently is (though that may just be the brain damage), and she doesn’t
see a logical course of action. But it doesn’t matter, because he’s the enemy, and she would never be in this
situation if she could help it. She has no need to try and make this any better
for him.
So the two of them just lie there, unwillingly curled
around each other in an improvised shelter made of debris. It might be one of
the more bizarre experiences of Athena’s life, and while it isn’t unexpected
given the strain he’s endured, it only becomes more bizarre when Loki’s
breathing evens out and he slumps fully against her, tense even in sleep.
Athena briefly wonders whether or not it’s safe to let
him sleep when he has brain damage, but she determines that he’ll probably heal
fast enough that it’s irrelevant.
For perhaps another twenty minutes, she sits there, arms
wrapped around Loki because there is no space for them to be anywhere else. Her
mind, usually so analytical and sharp, is curiously blank, though she mostly
attributes that to her injuries, more extreme than any she’s had in years. When
a few thoughts finally manage to worm their way to the forefront of her mind,
they are only that she should probably follow Loki’s example and sleep.
Unable to help herself, Athena huffs out a laugh. How
much more pathetic could this situation possibly be? Two enemies, falling
asleep on each other because they’ve no one else to fall asleep on, trapped
under a building, waiting for a rescue that may never come.
Athena’s last thought is that this is probably not what
they mean by “sleeping with the enemy.” But she still feels guilty as she
drifts into the land of Hypnos.
Wednesday, August 21, 2013
A Short Story Moment
So. Megan already knows this, but after I read/watched Hotarubi no Mori e, I was kind of a little bit inspired. And I really wanted to write a short story at least partially based off the manga/anime. And I was pretty sure that it wasn't going to happen any time soon, given that I am constantly writing, and I didn't want to add anything else to my writer's palette.
Then I had a day where I was just kind of stressed, and I was going to the writer's meeting that I go to, and I decided that I just needed to write something.
At 5:00 pm, I sat down at my computer. At around eight, while sitting in the middle of the meeting, I finished this.
I realize that it's not terribly clear, and it's not terribly well explained, and there are a couple moments that are taken STRAIGHT out of Hotarubi no Mori e, but it's all pretty intentional. I paid no attention to prepositions or gerunds or anything of that sort, because this was seriously just supposed to be me writing, and I haven't edited it very intensely, because I kind of don't want to.
So. While not the best thing I've ever written, and while it's not my favorite thing I've ever written, I do quite like it. And considering that I wrote this in three hours, and finished it in the midst of a five-way conversation (I even took some notes on the conversation), I think it's pretty good. :)
Oh. And it doesn't have a title. Yet. Because I haven't decided on a title that fits, yet. If you have any brilliant suggestions, feel free to let me know. Also, if you see any glaring grammatical errors, feel free to point them out.
I'm going to stop talking, now. ^_^
Then I had a day where I was just kind of stressed, and I was going to the writer's meeting that I go to, and I decided that I just needed to write something.
At 5:00 pm, I sat down at my computer. At around eight, while sitting in the middle of the meeting, I finished this.
I realize that it's not terribly clear, and it's not terribly well explained, and there are a couple moments that are taken STRAIGHT out of Hotarubi no Mori e, but it's all pretty intentional. I paid no attention to prepositions or gerunds or anything of that sort, because this was seriously just supposed to be me writing, and I haven't edited it very intensely, because I kind of don't want to.
So. While not the best thing I've ever written, and while it's not my favorite thing I've ever written, I do quite like it. And considering that I wrote this in three hours, and finished it in the midst of a five-way conversation (I even took some notes on the conversation), I think it's pretty good. :)
Oh. And it doesn't have a title. Yet. Because I haven't decided on a title that fits, yet. If you have any brilliant suggestions, feel free to let me know. Also, if you see any glaring grammatical errors, feel free to point them out.
I'm going to stop talking, now. ^_^
The first time Tom met Alice was the
summer she was seven and still young enough to believe in fairy tales. She fell
out of a tree and he caught her, because that was the sort of thing he did. She
screamed at first, because of the pattern of tree bark on his face and arms,
and because of the leaves that meld with his skin. Then she was fascinated by
the ridges on his cheeks and forehead and small knots on his knuckles. Then she
laughed, because when the leaves brushed against her, it tickled. But she didn’t
notice me.
Tom
led her out of the forest that day, and I watched from the edges of the trees.
When he came back and saw me, he said, “Children are strange.”
I
smiled, because it’s true. But part of me was heartbroken, and Tom saw that.
“Hey,
Emma,” he said, and tapped a finger against the painted mask on my face. “I see you.”
“I
know,” I told him.
“Promise
me that you won’t forget that?” he asked me, and I shook my head.
“No,
I won’t promise. But I won’t forget.”
I
never did forget. Sometimes, though, he did.
Alice
came back to the forest every day that summer. Something about Tom fascinated
her, and he welcomed her curiosity. He didn’t mind when she followed him
through the forest or asked nosy questions or played with his hands because
they were interesting. He stopped her when she tried to comb the leaves out of
his hair, but otherwise, she could do anything she wanted.
Sometimes
other forest people would come to watch them with me. The small girl who lives
in the pool would play in the water with Alice, and the huge bear-people came
to listen to Tom’s stories. The tiny sprites would dance around Alice when Tom
brought her to their home, and Alice would laugh in delight.
She
saw all of them. But even though I was there more often than any of the other
forest people, Alice never saw me. And when he was busy with Alice, Tom often
didn’t see me, either.
Alice
left at the end of summer, and Tom was sad and quiet and stayed in his
tree. He was like that until November,
when snow came to blanket the whole world. Even the forest, thick and magical
and full of things no one understands was turned white. Tom came back alive
then, shedding his leaves and not bothering to return to his tree for days or
even weeks. We were always free and crazy in the winter months. We would skate
on the water-girl’s frozen pool with her, run with the wolf-people and huddle
with the bear-people when we got cold.
One
day when we were building a snow dragon, Tom said, “Hey, Emma?”
I
looked up from the snow I was packing into a claw, and my mask slid down on my
face. I pushed it back up and said, “Yes?”
He
pressed snow into the dragon’s side and asked, “Do you think Alice will come
back next summer?”
Part
of me wanted to say that I hoped so, for his sake. The rest of me wanted to say
that I hoped not, for his sake. So I just said, “I don’t know.”
Alice
did come back. The next summer and the next summer and the summer after that.
The summer she turned twelve, the forest people began to worry.
That
summer was the summer Alice noticed me. Or, rather, the lack of me. She found
it strange that Tom would carry on conversations with me when I didn’t appear
to be there, and she was unnerved when he would pass a book or a flower or a
stick to me and it would disappear when I took it.
“Who
else is here?” she finally asked one day when we were all sitting on the grass
and I said something that made Tom laugh.
“My
friend,” Tom replied. “Emma.”
Alice
frowned and looked hard at me without seeing me. Tentatively, she asked, “Is
Emma real?”
Tom
laughed again. “As real as any of us that are part of the forest. It’s just
that she wears a mask that makes it impossible for humans to touch her or see
her or hear her.”
“Why?”
Tom
leaned over and tapped my mask. “Because if a human touches her, she’ll die.”
Alice’s
eyes went wide, and she looked so horrified that I felt bad for her and not
myself.
“Hey,”
I said to Tom. “Tell her that I say hello. And that it’s not that bad, because
the forest-people can see me.”
So
he told her, and after a conversation where she spoke to the air and I spoke
through Tom, I convinced her that she shouldn’t be too sad for me. But when she
left, Tom turned to me and hugged me and said, “I’m sorry. I know how much you
want to be seen by the humans.”
“It’s
okay,” I said, even though it really wasn’t. “It’s not like I’m the only one
who can’t get what they want.”
His
eyes became sad when I said that, and he touched his arms and shivered before
he left and went back to his tree near the center of the forest.
In
the winter both of us were somber and sad, and it seemed like our mood infected
the whole forest. The girl in the pool would sit on the water and cry, the wind
spirits wailed at night, the boys with raven feathers would sit in the branches
and stare at nothing, and the lost woman stopped calling to be found.
All
of us were human, once. Normal. Then we got sick, or we died, or we stumbled
upon something that should not have been found, and we found ourselves here in
this forest, changed and trapped. Those who had been there forever, like the
rock child who lives in the mountains, have given up trying to become human
again. Some, like me, want to be human desperately, but have no idea how to go
about it. And some, like Tom, still try as hard as they can.
The
summer Alice turned fourteen I was walking through the forest by myself. I had
my mask hanging around my neck because I was deep in the forest and it would be
hard for any humans to find the way there. I had left Tom and Alice sitting by
a stream, and I was trying to figure out whether or not I was jealous of Alice.
Lost in my thoughts, I didn’t notice the wind spirit who shaped a massive hand
out of dust and dew until it grabbed me.
I
was surprised, but I wasn’t frightened until the deep, heavy voice of the wind
spirit said, “Tom just asked Alice a question. Tom just asked Alice to promise.
Tom just asked Alice to promise to never forget him. And she did.”
My
hands flew to my mouth and I tried to run, but the massive hand held me tight.
“We
all knew,” the wind spirit said. “We all knew that he would ask her. He asks
all of them. He asks all of them to promise to never forget him.”
“I
know,” I said, and then I just stood there.
Sadness
from one of the forest people will draw the others, and soon a bear-woman and a
fox-girl and an old tree-man, almost like Tom, came to stand around me. The
bear-woman carefully pushed my mask back up over my face with her huge paws so
that I could hide my tears, and the tree-man and the fox-girl only watched me.
They knew that I needed to be seen.
“Thank
you for telling me,” I told the wind spirit, and the hand held me tight in some
strange approximation of a hug before dissolving into a breeze.
That
evening, I found Tom at the very edge of the forest, arms folded tight and a
thoughtful look on his face.
“Why
do you do that?” I asked him, and looked at his arms with his sleeves pushed up
to his elbows.
He
looked at me and smiled a smile that made his face of bark and leaves look sad
and not happy. Unconsciously, his fingers traced the scars on his arms.
“If
you had a chance to be seen and become human again,” he asked, “Wouldn’t you
try and take it? Wouldn’t you want yourself to be happy?”
I
didn’t say anything, and the two of us stood there until the sun set and the moon
rose. Before he left, Tom asked me, “Will you promise me that you won’t try and
stop me?”
“I
won’t promise,” I told him. “But I won’t stop you.”
Alice
came back when she was fifteen and sixteen and seventeen and eighteen. And it
was hard, because all of us liked her. She would always say hello to me, even
though she couldn’t see me, and sometimes she brought me books and pictures and
glass jars full of colored sand. She would play with the water-girl who could
never leave her pool, and tell stories to the raven boys who could never lose
all of their feathers. She would dance with the wind spirits who would never
have full bodies, and she would sing to the lost woman who would never be
found. Alice was kind and she was pretty and she made Tom happy. And if she
only kept her promise, then Tom could be human again.
She
didn’t come back the summer she was nineteen. Tom refused to go back into his
tree just in case he missed her when she came, and because of it, he got sick
and near the end of the summer, I had to carry him back to his tree. Throughout
the autumn and the winter and the spring, he kept on looking at his arms,
watching, but nothing changed.
The
summer Alice turned twenty, she came back. But this time, she brought a young
man into the forest. Maybe he was too old to believe, or maybe he had never
believed, because he couldn’t see any of us. He endured a few days in the
forest with her, but when Alice came back a few weeks later by herself, none of
us were sad that he hadn’t come.
I
watched Tom carefully that summer, but it seemed like he would be alright.
Alice
came the summer after that, but only for a few weeks, and then not at all the
next summer. The summer she turned twenty-three, she came back with a ring on
her finger. Still, it seemed like Tom would be fine, because she still
remembered him.
When
Alice had her first child, she brought the little boy into the forest and
showed him to all of us with delight. All the forest people loved him. But Tom
began to look tired, and we all began to worry.
In
the spring before Alice turned twenty-six, I asked Tom the question no one
wanted to voice.
“What
happens if she breaks her promise?”
We
were lying on our backs near the pool, and the water girl gasped and ducked
under the surface of the pool when she heard my question. Tom just turned his
head to look at me and raised and arm. He pulled his sleeve down and said,
“This.”
I
looked at his arm, at the names of the girls who had broken their promises that
were carved into his skin. But I had seen all that before, and I had never seen
such a look of despair on his face.
“No,”
I said. “What happens to you?”
Tom
looked up at the sky and said, “I guess I give up.”
She
didn’t come that summer. Or the next summer. Or the next four summers.
In
the middle of summer the year Alice turned thirty-four, Tom let out a scream
that ripped through the forest and the hearts of all of us. When I ran to find
him, he was doubled over his right arm, sobbing. He didn’t know that I was
there even when I grabbed his arm to look at it.
He
was bleeding, a mix of sap and normal, human blood. And in the center of all
the blood, I could clearly read the name “Alice.”
Tom
didn’t come out of his tree for two years. So I walked with the lost woman and
talked with the girl in the pool and tried to laugh with the tree-man who,
despite being probably hundreds of years older than Tom, seemed far more alive.
When
Tom finally did come out of his tree, he wouldn’t talk. The wind spirits tried
to hug him with their awkward hands. The fox-girl tried to get him to play. The
wolf-people invited him to sing to the moon with them. And I was too scared to
try.
Years
passed as years do in the forest, and without Alice to judge, I don’t know how
long it was. But I know that there were many quiet winters and sad summers and
lonely autumns and springs without joy. Tom and I no longer seemed to know each
other, and I felt as lost as the woman who will never be found.
A
summer came when Tom met another young girl. Her name was Maddy. He didn’t talk
to her. When she fell down he didn’t help her up. When she tried to play with
him he walked away.
That
summer I realized that something needed to change. But try as I might, I
couldn’t figure out what.
For
another summer, and another, I watched at Tom sank deeper and deeper into
himself, becoming distressingly like the tree in which he lived. And in that
summer and the next, I sank deeper and deeper into myself, no longer even
wishing to be seen. All I could do was hope that someone would save him. And it
would have been nice if they could save me, too.
Sometimes
I forget that the other forest people care. So when I was walking by myself who
knows how many years after Alice, I was surprised when a massive wind spirit
hand reached down to grab me.
The
wind spirit said only one thing: “You don’t have to be human to be happy.”
That
night I went to find Tom. I sat down by his tree and waited until he came out.
He looked almost confused when he saw me, but I just grabbed his hand and
pulled him down to sit by me.
“Hey,
Tom,” I said.
It
took him a moment to respond, but finally he said, “Hey, Emma.”
For
a while, we just sat there. I didn’t let go of his hand, because I didn’t want
to, and for the first time, I felt no need to.
We
watched the sunset together, and though Tom still seemed confused, he seemed
better than he had. So when the sun had fully disappeared, I squeezed his hand
and said, “Tom?”
He
looked at me, a mix of blank and curious. “Yes?”
“Do
you think,” I asked, “That it would be hard for us to just try and be happy
together?”
Tom
didn’t say anything. So I didn’t press him.
“Do
you think,” I asked a few minutes later, “That we could be happy even though we
aren’t human anymore?”
Tom
didn’t say anything.
“Do
you think,” I asked even later, and I took off my mask and put it on the
ground, “That if I didn’t forget you and you always saw me, things would work
out?”
Tom
looked up at me and said, “Can you promise that you won’t forget me?”
In
that moment, it felt like the entire forest was holding its breath.
I
thought about his question for a long time. And because I hadn’t pushed him, he
didn’t push me, and he waited there with me until sunlight began to creep over
the horizon.
When
the birds started singing, I finally gave my answer.
“I
don’t think I’ll ever be able to promise you that,” I told Tom, and he looked
at me without expression. “But I won’t forget you.”
And
Tom smiled.
When
we walked away from his tree, I left my mask behind.
The
next day, we started walking in the forest together. Since it had been so long,
it seemed like we were discovering the forest people all over again, and it was
strange to me how amazing they were. They welcomed both of us back with
laughter and hugs and tears and everything I had missed.
It
was the first day in a long, long time that I was happy. And from the way Tom
refused to let go of my hand, and the way he smiled, and the way he seemed to
shed years, I think he was happy, too.
Tom
has fifty-seven names carved into his skin. They’re all from girls who broke
their promise to never forget him. Sometimes those scars still hurt, and
sometimes he looks at them and he can’t be happy. But then he’ll look at me,
and then he’ll smile, because he knows that I won’t forget him. And then I’ll
smile back, because I know he sees me.
It’s
funny how easy it is to be happy, sometimes.
Monday, June 10, 2013
Pescetarianism
OH THE HORROR.
This is the fish I de-tailed and decapitated. It was a bit of an ordeal for me. The jaw was moving as I was trying to saw the head off the thing, and the flesh started separating from the ribs and skin, which is why there's a random piece of skin missing.
I love eating fish. I really do. I think they have great taste, and given that I don't eat any other meat, I feel that it's good that I eat fish, because at least I can get some sort of protein that way. But I seriously don't like preparing the fish. Because as good as this particular fish tasted, the whole scenario scarred me for life just a little bit.
But I suppose everyone needs that sort of experience at least once, right?
And that's my update.
This is the fish I de-tailed and decapitated. It was a bit of an ordeal for me. The jaw was moving as I was trying to saw the head off the thing, and the flesh started separating from the ribs and skin, which is why there's a random piece of skin missing.
I love eating fish. I really do. I think they have great taste, and given that I don't eat any other meat, I feel that it's good that I eat fish, because at least I can get some sort of protein that way. But I seriously don't like preparing the fish. Because as good as this particular fish tasted, the whole scenario scarred me for life just a little bit.
But I suppose everyone needs that sort of experience at least once, right?
And that's my update.
Friday, May 10, 2013
Fun with Food
My mom got me Scrabble Cheez-Its for Easter.
Honestly, what did she expect me to do with them?
Who ever said that you shouldn't play with your food?
Honestly, what did she expect me to do with them?
Who ever said that you shouldn't play with your food?
Thursday, February 28, 2013
Pictures of Awesomeness
As it is the last day of Loki Appreciation Month, there are going to be two posts. Mostly because there are pictures that I really feel need to be included in this grand month. So, here we go.
First, a picture of my favorite Lego figure and his two Lego henchmen on their current steeds of (my) choosing:
(Uh, and excuse any spelling errors in this. I'm writing it while sitting against the wall of my freezing church, in the middle of the day, and I can barely see the screen of my computer. So, yeah. Keep that in mind if you find any glaring errors. But still tell me if you see them. Thanks!)
First, a picture of my favorite Lego figure and his two Lego henchmen on their current steeds of (my) choosing:
In case you can't tell, that's an MTT, AT-AT, and AT-ST. Oh, it makes me happy. :)
And then, just because I do feel that it's appropriate, especially given that he had a birthday on the 9th of this month and is now 32, a picture of Tom Hiddleston when he's not being my favorite pseudo-villain ever.
I'll be honest. I'm freakishly confused. The man looks EXACTLY like mythology Loki should. Why did they dye his hair black and straighten it? *sigh* I don't understand it. Not that I mind, you know, because I think it's brilliant, but the fact that they got an actor who looks so much like Loki should and then completely changed his appearance is a bit beyond me.
And, finally, a picture that is currently my favorite picture, that combines the brilliantness that is Tom Hiddleston as Loki with the brilliantness that is apparently Tom Hiddleston as himself:
Yeah. That's brilliant. I laughed like a maniac when I first saw it.
As a final note, I think that I'll reference Tom Hiddleston once more, because in his words about Loki (you remember, I sent an email about it, because it was gorgeous?), he pretty much perfectly captured how much Loki should be Appreciated. So, yeah. On this final day of Appreciation, it wouldn't hurt to go look up that email I sent (I assume it's labeled with something like, "Crazy Emails From Amelia O_o") and read his words, just to remember how much Appreciation the brilliantness that is Loki deserves.
And I think that's it.
(Uh, and excuse any spelling errors in this. I'm writing it while sitting against the wall of my freezing church, in the middle of the day, and I can barely see the screen of my computer. So, yeah. Keep that in mind if you find any glaring errors. But still tell me if you see them. Thanks!)
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